Consider the picture as an inscription to the most appreciated and loved designer or architect. It’s a way to highlight the importance of one’s references and to reflect on where it’s possible to find one’s master: a book’s page, a magazine, an object or the desktop.
ZACCARIA VALENTINA
1 / 26

Daydo Moriyama

Consider the picture as an inscription to the most appreciated and loved designer or architect. It’s a way to highlight the importance of one’s references and to reflect on where it’s possible to find one’s master: a book’s page, a magazine, an object or the desktop.
GRIGNANI GIOVANNI
2 / 26

Luce come creazione di un varco tra gli ambienti.

Consider the picture as an inscription to the most appreciated and loved designer or architect. It’s a way to highlight the importance of one’s references and to reflect on where it’s possible to find one’s master: a book’s page, a magazine, an object or the desktop.
SPOTTI SOPHIA
3 / 26

La luce al di là dell’oscurità, un barlume di speranza in questo periodo difficile.

Consider the picture as an inscription to the most appreciated and loved designer or architect. It’s a way to highlight the importance of one’s references and to reflect on where it’s possible to find one’s master: a book’s page, a magazine, an object or the desktop.
RAVASIO MARIOMATTIA
4 / 26

Consider the picture as an inscription to the most appreciated and loved designer or architect. It’s a way to highlight the importance of one’s references and to reflect on where it’s possible to find one’s master: a book’s page, a magazine, an object or the desktop.
MANUGUERRA AURORA
5 / 26

Omaggio a Bruno Munari/Il poster di Munari come oggetto di arredo.Non è protagonista, ma partecipa alla creazione di un ambiente.

Consider the picture as an inscription to the most appreciated and loved designer or architect. It’s a way to highlight the importance of one’s references and to reflect on where it’s possible to find one’s master: a book’s page, a magazine, an object or the desktop.
VATRI FEDERICA
6 / 26

Omaggio a Saul Bass. Saul Bass è un illustratore statunitense che fa dei titoli di testa delle vere e proprie opere d’arte. Le sue grafiche sintetizzano l’intero film in pochi minuti. Il suo lavoro si intreccia con la mia passione per i film di Alfred Hitchcock.

Consider the picture as an inscription to the most appreciated and loved designer or architect. It’s a way to highlight the importance of one’s references and to reflect on where it’s possible to find one’s master: a book’s page, a magazine, an object or the desktop.
ANDRADE CAROLINA
7 / 26

Il mondo tipografico non sarebbe lo stesso senza la grande “Univers” di Adrian Frutiger (1957)

Consider the picture as an inscription to the most appreciated and loved designer or architect. It’s a way to highlight the importance of one’s references and to reflect on where it’s possible to find one’s master: a book’s page, a magazine, an object or the desktop.
DALLAGO GUIDO
8 / 26

Consider the picture as an inscription to the most appreciated and loved designer or architect. It’s a way to highlight the importance of one’s references and to reflect on where it’s possible to find one’s master: a book’s page, a magazine, an object or the desktop.
TOCCO GIADA
9 / 26

Labirinto domestico.

Consider the picture as an inscription to the most appreciated and loved designer or architect. It’s a way to highlight the importance of one’s references and to reflect on where it’s possible to find one’s master: a book’s page, a magazine, an object or the desktop.
CURATI GIULIA LUCIA
10 / 26

Un omaggio a Bruno Munari: una delle figure più influenti nella storia del design italiano e internazionale. In primo piano le pagine del libro Da cosa nasce cosa, che fanno riferimento al progetto della lampada Folkalnd, visibile sullo sfondo, vista dallo schermo del computer

Consider the picture as an inscription to the most appreciated and loved designer or architect. It’s a way to highlight the importance of one’s references and to reflect on where it’s possible to find one’s master: a book’s page, a magazine, an object or the desktop.
SCAPPA LORENZO
11 / 26

Consider the picture as an inscription to the most appreciated and loved designer or architect. It’s a way to highlight the importance of one’s references and to reflect on where it’s possible to find one’s master: a book’s page, a magazine, an object or the desktop.
STUCCHI ELEONORA
12 / 26

Due pagine del libro “Design e comunicazione visiva” di Bruno Munari, in cui viene spiegata l’ispirazione dei suoi pattern. Ho stampato alcune fotografie macro a colori di elementi naturali che creano delle grafiche organiche non perfettamente geometriche, dalle quali prendeva spunto il designer.

Consider the picture as an inscription to the most appreciated and loved designer or architect. It’s a way to highlight the importance of one’s references and to reflect on where it’s possible to find one’s master: a book’s page, a magazine, an object or the desktop.
CASELLI LUCA
13 / 26

Consider the picture as an inscription to the most appreciated and loved designer or architect. It’s a way to highlight the importance of one’s references and to reflect on where it’s possible to find one’s master: a book’s page, a magazine, an object or the desktop.
SPINELLA SARA
14 / 26

dentro e fuori

Consider the picture as an inscription to the most appreciated and loved designer or architect. It’s a way to highlight the importance of one’s references and to reflect on where it’s possible to find one’s master: a book’s page, a magazine, an object or the desktop.
MEANI FEDERICO
15 / 26

Fino in capo al mondo(omaggio a Corradino D’Ascanio)

Consider the picture as an inscription to the most appreciated and loved designer or architect. It’s a way to highlight the importance of one’s references and to reflect on where it’s possible to find one’s master: a book’s page, a magazine, an object or the desktop.
FERRARI STEFANO
16 / 26

Ettore Sottsass, designer, fotografo, poeta.

Consider the picture as an inscription to the most appreciated and loved designer or architect. It’s a way to highlight the importance of one’s references and to reflect on where it’s possible to find one’s master: a book’s page, a magazine, an object or the desktop.
VIGANI SONIA
17 / 26

Consider the picture as an inscription to the most appreciated and loved designer or architect. It’s a way to highlight the importance of one’s references and to reflect on where it’s possible to find one’s master: a book’s page, a magazine, an object or the desktop.
GIARDINO GENNARO MARIA
18 / 26

Mi sono fermato ad osservare i miei piedi prima di entrare in camera.

Consider the picture as an inscription to the most appreciated and loved designer or architect. It’s a way to highlight the importance of one’s references and to reflect on where it’s possible to find one’s master: a book’s page, a magazine, an object or the desktop.
AGOSTO LINDA
19 / 26

Consider the picture as an inscription to the most appreciated and loved designer or architect. It’s a way to highlight the importance of one’s references and to reflect on where it’s possible to find one’s master: a book’s page, a magazine, an object or the desktop.
VECE ANNA CHIARA
20 / 26

Consider the picture as an inscription to the most appreciated and loved designer or architect. It’s a way to highlight the importance of one’s references and to reflect on where it’s possible to find one’s master: a book’s page, a magazine, an object or the desktop.
HUSOSCHI OCTAVIAN
21 / 26

Un avocadoburger

Consider the picture as an inscription to the most appreciated and loved designer or architect. It’s a way to highlight the importance of one’s references and to reflect on where it’s possible to find one’s master: a book’s page, a magazine, an object or the desktop.
ZANARDI SARA
22 / 26

Omaggio a Philippe Starck.

Consider the picture as an inscription to the most appreciated and loved designer or architect. It’s a way to highlight the importance of one’s references and to reflect on where it’s possible to find one’s master: a book’s page, a magazine, an object or the desktop.
ARCIERI ELDA
23 / 26

Consider the picture as an inscription to the most appreciated and loved designer or architect. It’s a way to highlight the importance of one’s references and to reflect on where it’s possible to find one’s master: a book’s page, a magazine, an object or the desktop.
BUSLETTA ELENA
24 / 26

Achille Castiglioni

Consider the picture as an inscription to the most appreciated and loved designer or architect. It’s a way to highlight the importance of one’s references and to reflect on where it’s possible to find one’s master: a book’s page, a magazine, an object or the desktop.
SCANDOLA SOFIA
25 / 26

Matteo.

Consider the picture as an inscription to the most appreciated and loved designer or architect. It’s a way to highlight the importance of one’s references and to reflect on where it’s possible to find one’s master: a book’s page, a magazine, an object or the desktop.
SOLLAMI LEONARDO
26 / 26

La soglia che divide uno spazio fisico, quella di un mirino galileiano attraverso cui la realtà diventa sua rappresentazione e il mio occhio che divide ciò che è percepito da ciò che percepisce, tutti e tre lungo lo stesso asse.

A story in a picture

Consider the picture as an inscription to the most appreciated and loved designer or architect. It’s a way to highlight the importance of one’s references and to reflect on where it’s possible to find one’s master: a book’s page, a magazine, an object or the desktop.