Consider the picture as an inscription to the most appreciated and loved designer or architect. It’s a way to highlight the importance of one’s references and to reflect on where it’s possible to find one’s master: a book’s page, a magazine, an object or the desktop.
BUSLETTA ELENA
1 / 26

Achille Castiglioni

Consider the picture as an inscription to the most appreciated and loved designer or architect. It’s a way to highlight the importance of one’s references and to reflect on where it’s possible to find one’s master: a book’s page, a magazine, an object or the desktop.
ZANARDI SARA
2 / 26

Omaggio a Philippe Starck.

Consider the picture as an inscription to the most appreciated and loved designer or architect. It’s a way to highlight the importance of one’s references and to reflect on where it’s possible to find one’s master: a book’s page, a magazine, an object or the desktop.
ARCIERI ELDA
3 / 26

Consider the picture as an inscription to the most appreciated and loved designer or architect. It’s a way to highlight the importance of one’s references and to reflect on where it’s possible to find one’s master: a book’s page, a magazine, an object or the desktop.
VATRI FEDERICA
4 / 26

Omaggio a Saul Bass. Saul Bass è un illustratore statunitense che fa dei titoli di testa delle vere e proprie opere d’arte. Le sue grafiche sintetizzano l’intero film in pochi minuti. Il suo lavoro si intreccia con la mia passione per i film di Alfred Hitchcock.

Consider the picture as an inscription to the most appreciated and loved designer or architect. It’s a way to highlight the importance of one’s references and to reflect on where it’s possible to find one’s master: a book’s page, a magazine, an object or the desktop.
MANUGUERRA AURORA
5 / 26

Omaggio a Bruno Munari/Il poster di Munari come oggetto di arredo.Non è protagonista, ma partecipa alla creazione di un ambiente.

Consider the picture as an inscription to the most appreciated and loved designer or architect. It’s a way to highlight the importance of one’s references and to reflect on where it’s possible to find one’s master: a book’s page, a magazine, an object or the desktop.
FERRARI STEFANO
6 / 26

Ettore Sottsass, designer, fotografo, poeta.

Consider the picture as an inscription to the most appreciated and loved designer or architect. It’s a way to highlight the importance of one’s references and to reflect on where it’s possible to find one’s master: a book’s page, a magazine, an object or the desktop.
MEANI FEDERICO
7 / 26

Fino in capo al mondo(omaggio a Corradino D’Ascanio)

Consider the picture as an inscription to the most appreciated and loved designer or architect. It’s a way to highlight the importance of one’s references and to reflect on where it’s possible to find one’s master: a book’s page, a magazine, an object or the desktop.
HUSOSCHI OCTAVIAN
8 / 26

Un avocadoburger

Consider the picture as an inscription to the most appreciated and loved designer or architect. It’s a way to highlight the importance of one’s references and to reflect on where it’s possible to find one’s master: a book’s page, a magazine, an object or the desktop.
RAVASIO MARIOMATTIA
9 / 26

Consider the picture as an inscription to the most appreciated and loved designer or architect. It’s a way to highlight the importance of one’s references and to reflect on where it’s possible to find one’s master: a book’s page, a magazine, an object or the desktop.
SCANDOLA SOFIA
10 / 26

Matteo.

Consider the picture as an inscription to the most appreciated and loved designer or architect. It’s a way to highlight the importance of one’s references and to reflect on where it’s possible to find one’s master: a book’s page, a magazine, an object or the desktop.
SPOTTI SOPHIA
11 / 26

La luce al di là dell’oscurità, un barlume di speranza in questo periodo difficile.

Consider the picture as an inscription to the most appreciated and loved designer or architect. It’s a way to highlight the importance of one’s references and to reflect on where it’s possible to find one’s master: a book’s page, a magazine, an object or the desktop.
VECE ANNA CHIARA
12 / 26

Consider the picture as an inscription to the most appreciated and loved designer or architect. It’s a way to highlight the importance of one’s references and to reflect on where it’s possible to find one’s master: a book’s page, a magazine, an object or the desktop.
AGOSTO LINDA
13 / 26

Consider the picture as an inscription to the most appreciated and loved designer or architect. It’s a way to highlight the importance of one’s references and to reflect on where it’s possible to find one’s master: a book’s page, a magazine, an object or the desktop.
STUCCHI ELEONORA
14 / 26

Due pagine del libro “Design e comunicazione visiva” di Bruno Munari, in cui viene spiegata l’ispirazione dei suoi pattern. Ho stampato alcune fotografie macro a colori di elementi naturali che creano delle grafiche organiche non perfettamente geometriche, dalle quali prendeva spunto il designer.

Consider the picture as an inscription to the most appreciated and loved designer or architect. It’s a way to highlight the importance of one’s references and to reflect on where it’s possible to find one’s master: a book’s page, a magazine, an object or the desktop.
SCAPPA LORENZO
15 / 26

Consider the picture as an inscription to the most appreciated and loved designer or architect. It’s a way to highlight the importance of one’s references and to reflect on where it’s possible to find one’s master: a book’s page, a magazine, an object or the desktop.
GRIGNANI GIOVANNI
16 / 26

Luce come creazione di un varco tra gli ambienti.

Consider the picture as an inscription to the most appreciated and loved designer or architect. It’s a way to highlight the importance of one’s references and to reflect on where it’s possible to find one’s master: a book’s page, a magazine, an object or the desktop.
SOLLAMI LEONARDO
17 / 26

La soglia che divide uno spazio fisico, quella di un mirino galileiano attraverso cui la realtà diventa sua rappresentazione e il mio occhio che divide ciò che è percepito da ciò che percepisce, tutti e tre lungo lo stesso asse.

Consider the picture as an inscription to the most appreciated and loved designer or architect. It’s a way to highlight the importance of one’s references and to reflect on where it’s possible to find one’s master: a book’s page, a magazine, an object or the desktop.
VIGANI SONIA
18 / 26

Consider the picture as an inscription to the most appreciated and loved designer or architect. It’s a way to highlight the importance of one’s references and to reflect on where it’s possible to find one’s master: a book’s page, a magazine, an object or the desktop.
ANDRADE CAROLINA
19 / 26

Il mondo tipografico non sarebbe lo stesso senza la grande “Univers” di Adrian Frutiger (1957)

Consider the picture as an inscription to the most appreciated and loved designer or architect. It’s a way to highlight the importance of one’s references and to reflect on where it’s possible to find one’s master: a book’s page, a magazine, an object or the desktop.
CASELLI LUCA
20 / 26

Consider the picture as an inscription to the most appreciated and loved designer or architect. It’s a way to highlight the importance of one’s references and to reflect on where it’s possible to find one’s master: a book’s page, a magazine, an object or the desktop.
SPINELLA SARA
21 / 26

dentro e fuori

Consider the picture as an inscription to the most appreciated and loved designer or architect. It’s a way to highlight the importance of one’s references and to reflect on where it’s possible to find one’s master: a book’s page, a magazine, an object or the desktop.
DALLAGO GUIDO
22 / 26

Consider the picture as an inscription to the most appreciated and loved designer or architect. It’s a way to highlight the importance of one’s references and to reflect on where it’s possible to find one’s master: a book’s page, a magazine, an object or the desktop.
TOCCO GIADA
23 / 26

Labirinto domestico.

Consider the picture as an inscription to the most appreciated and loved designer or architect. It’s a way to highlight the importance of one’s references and to reflect on where it’s possible to find one’s master: a book’s page, a magazine, an object or the desktop.
CURATI GIULIA LUCIA
24 / 26

Un omaggio a Bruno Munari: una delle figure più influenti nella storia del design italiano e internazionale. In primo piano le pagine del libro Da cosa nasce cosa, che fanno riferimento al progetto della lampada Folkalnd, visibile sullo sfondo, vista dallo schermo del computer

Consider the picture as an inscription to the most appreciated and loved designer or architect. It’s a way to highlight the importance of one’s references and to reflect on where it’s possible to find one’s master: a book’s page, a magazine, an object or the desktop.
GIARDINO GENNARO MARIA
25 / 26

Mi sono fermato ad osservare i miei piedi prima di entrare in camera.

Consider the picture as an inscription to the most appreciated and loved designer or architect. It’s a way to highlight the importance of one’s references and to reflect on where it’s possible to find one’s master: a book’s page, a magazine, an object or the desktop.
ZACCARIA VALENTINA
26 / 26

Daydo Moriyama

A story in a picture

Consider the picture as an inscription to the most appreciated and loved designer or architect. It’s a way to highlight the importance of one’s references and to reflect on where it’s possible to find one’s master: a book’s page, a magazine, an object or the desktop.